Sign in to confirm you’re not a bot
This helps protect our community. Learn more

China Keywords: Webinar 4: River Elegy

The Telos-Paul Piccone Institute
713 subscribers
<__slot-el>
<__slot-el>
248 views 8 months ago
In the fourth webinar in the Telos-Paul Piccone Institute's “China Keywords” series, Eric Hendriks talks with David Moser about China's tradition of unsparing, sometimes hyperbolic, cultural self-criticism. This is the tradition of the democratizers of the May Fourth Movement, who rejected Confucian hierarchy; of the Red Guards, who, during Mao's Cultural Revolution, sought to obliterate China's traditional cultures and authority structures by force; and of the documentary series River Elegy (1988), which in the run-up to the 1989 protests claimed that conservatism and isolationism had dried up China's cultural vitality. David Moser is a Beijing-based linguist, academic, and public intellectual, who watched the six-part CCTV miniseries River Elegy in his dorm room at Peking University in June 1988 and witnessed it "hit academic circles like an atomic bomb." What was River Elegy about? What were its ideals? What is left of River Elegy's legacy and the broader tradition of cultural self-criticism in contemporary China? The Telos-Paul Piccone Institute is pleased to present this webinar in cooperation with the Danube Institute. For more information about TPPI's China Initiative, visit our website at https://www.telosinstitute.net/china-... ...more
...more
China Keywords: Webinar 4: River Elegy
3Likes
248Views
Aug 22024
In the fourth webinar in the Telos-Paul Piccone Institute's “China Keywords” series, Eric Hendriks talks with David Moser about China's tradition of unsparing, sometimes hyperbolic, cultural self-criticism. This is the tradition of the democratizers of the May Fourth Movement, who rejected Confucian hierarchy; of the Red Guards, who, during Mao's Cultural Revolution, sought to obliterate China's traditional cultures and authority structures by force; and of the documentary series River Elegy (1988), which in the run-up to the 1989 protests claimed that conservatism and isolationism had dried up China's cultural vitality. David Moser is a Beijing-based linguist, academic, and public intellectual, who watched the six-part CCTV miniseries River Elegy in his dorm room at Peking University in June 1988 and witnessed it "hit academic circles like an atomic bomb." What was River Elegy about? What were its ideals? What is left of River Elegy's legacy and the broader tradition of cultural self-criticism in contemporary China? The Telos-Paul Piccone Institute is pleased to present this webinar in cooperation with the Danube Institute. For more information about TPPI's China Initiative, visit our website at https://www.telosinstitute.net/china-...

Follow along using the transcript.

The Telos-Paul Piccone Institute

713 subscribers